Celeste OST: Difference between revisions
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| artist = [[Lena Raine]]
| price = $9
| track = {{
| link = [https://radicaldreamland.bandcamp.com/album/celeste-original-soundtrack Bandcamp]
}}
'''Celeste Original Soundtrack''', abbreviated to '''Celeste OST''', is the official release of Celeste's soundtrack. It is written, performed, and mastered by [[Lena Raine]], and spans twenty-one tracks of varying lengths totaling
It is available on a variety of platforms, notably [https://radicaldreamland.bandcamp.com/album/celeste-original-soundtrack on Bandcamp (where 24-bit FLACs may be downloaded)], but also on iTunes, most digital download stores, and most digital streaming services. The success of ''Celeste'' and its critically acclaimed soundtrack allowed Lena Raine's works to be officially available on 12" LP, Compact Disc, and cassette.
Practically all A-Side music from
Several remixes of the Celeste OST, as well as instrumental covers, have been performed for the Celeste Original Soundtrack. Some have even received Lena Raine's blessing herself
== Track listing ==
{{Spoiler minor|level=all chapters through [[Core]]|level2=these chapters|Note that all major spoilers will be censored out: hovering your mouse over the censored text or selecting it (on mobile platforms) will reveal the text hiding behind.}}
{{Ocss}}
=== Prologue ===
{{Ocsp|fc377ee57abf68301c436bdf94780bbe1d31c5cb5de5889f4918f713a94b0325|Prologue}}
'''Prologue''' is heard primarily during the prologue. It begins with a soft yet unremarkable piano theme, aiding Madeline to ease into her new journey. This music continues through her conversation with [[Granny]]. As Madeline steps onto the bridge {{c|and it starts collapsing under her feet}}, the music intensifies, introducing the "Madeline" ''leitmotif'' via synthesizer, before calming back down again.
=== First Steps ===
{{Ocsp|ce09845a1b5db6eb0e75c159ebcd2fe1cf5c52b67b21f6d0ee74e9a928fd1818|First Steps}}
'''First Steps''' is the main soundtrack played in {{Ch|1|lf=1}}. It reintroduces the "Madeline" ''leitmotif'', and further builds upon it, creating Forsaken City's melody. A synthesizer plays the melody, while a piano performs the harmony. ''[[Madeline's Grab Bag]]'': {{soundtrack|num=09|track=First Steps (Piano Only)}}, a piano version of this song, plays in certain "outside" sections. Unlike many other tracks within ''Celeste''<nowiki>'</nowiki>s soundtrack, only a single tune not subjected to various variations appears. This song has a [[Celeste B-Sides|B-Side]] remix, {{soundtrack|num=01|track=First Steps (Sever the Skyline Mix)}}.
=== Resurrections ===
{{Ocsp|60605b646210a6c30f4ae716de877a4742871c5bc63e3f4b0ffb687eba166e93|Resurrections}}
'''Resurrections''' is the main soundtrack played in {{Ch|2|lf=2}}. It introduces a completely new melody, with its own ''leitmotif'', and starts off relatively calmly, but builds up throughout its nearly-ten-minute length. An upwards-arpeggio melody is well defined, possibly representing Madeline's climb upwards [[Celeste Mountain]], while a piano harmony gently creates contrast behind. The two sometimes go into a state of dissonance, depicting the unpredictability of dreams. After a cutscene {{c|in which [[Madeline]] meets [[Badeline]] for the first time, and the latter pops out of a mirror}}, the music becomes livelier, adding percussion, and the piano harmony increases in prevalence. to which point it starts acting as a counterpoint to the synthesizer. This happens at around 2:10 in the OST.
During another cutscene, {{c|one in which Madeline confronts Badeline for the first time,}} the music makes an unsettling turn, many major chords transforming into minor chords. This occurs around 4:25 in the OST. The piano stops, and the synthesizer starts playing the "Madeline" ''leitmotif'', but in a minor inversion: this is Badeline's theme. Following the cutscene, the music intensifies, and the melody, instead of solely ascending, now loops upwards and downwards, representing Madeline's unstable mental state. The same "Madeline" ''leitmotif'' is repeated throughout this {{c|chase sequence}}, but in a much more intense way. This continues until Madeline {{c|makes it out of the Old Site tower}}; the music fades away as {{c|she approaches the phone booth which signifies the end of the level}}.
Lena Raine stated in an interview that she wanted to make Resurrections sound distinct from the theme featured in ''First Steps''. "Because {{c|all of Resurrections takes place in a lucid dream sequence, my first goal was to make an etherial<sup>[sic]</sup> sound evocative of a space that didn’t seem quite real}}."<ref name="int1">http://www.originalsoundversion.com/interview-composer-lena-raine-talks-celeste-soundtrack-working-in-game-audio/</ref>
Resurrections is one of the most well-recognized soundtracks in ''Celeste'', and has been subjected to various covers and remixes. A [[Celeste B-Sides|B-Side]] remix, {{soundtrack|num=02|track=Resurrections (Black Moonrise Mix)}}, is also officially present within the game.
=== Awake ===
{{Ocsp|59fb169a5c2a30176a4dd23fec5532019056aaa0a6fc6d2c60128a8dbc788a61|Awake}}
'''Awake''' is a remix of the theme featured earlier in ''Resurrections'', but solely on the piano. The same piano harmony that formed the song's first half returns, but as the melody. Other leitmotifs from the song are present throughout.
=== Postcard from Celeste Mountain ===
{{Ocsp|ed1c01000ca9846a01a527aefb5ae09a13bfffed8953f40ad9eb1771eae100fb|Postcard from Celeste Mountain}}
'''Postcard from Celeste Mountain''' is the main menu theme of ''Celeste''. It consists primarily of a very bass-heavy ambient noise, topped up by a delicate piano melody. It does not directly reference the "Madeline" ''leitmotif'', but comes close to it several times. Ironically enough, ''Postcard from Celeste Mountain'' does not play when a [[postcard]] is shown on-screen.
=== Checking In ===
{{Ocsp|0fd80b61964b0ce56048a75bf3f2641ea1368e70fec0058594bce37e6348534c|Checking In}}
'''Checking In''' is the first soundtrack used in {{ch|3|lf=1}}. It plays throughout the ''Start'' chapter and the first portion of ''Huge Mess''. The tune creates a relatively mysterious ambience, while still introducing the "Resort" ''leitmotif'', which serves as [[Oshiro]]'s theme. Initially, the synthesizer forms the bulk of the melody here, while the piano serves as a light counterpoint; more synthesizers are added until they form a perfect harmony; in-game, these are added as Madeline progresses through the level. A [[Celeste B-Sides|B-Side]] remix, {{soundtrack|num=03|track=Celestial Resort (Good Karma Mix)}}, is officially present within the game.
=== Spirit of Hospitality ===
{{Ocsp|a2316590b4970adeb96bb69c5de495372bdde2e0a10696d803ba4961bdedb25b|Spirit of Hospitality}}
'''Spirit of Hospitality''' serves as Mr. Oshiro's theme. Consisting exclusively of synthesizers, it plays the same "Resort" ''leitmotif'', but using a different melody. This track plays during many cutscenes featuring Mr. Oshiro throughout {{Ch|3|lf=1}}.
=== Scattered and Lost ===
{{Ocsp|2cab6d0617d18819f2ce07c7a9247420fa5a0299503476055d9d197463a048a7|Scattered and Lost}}
'''Scattered and Lost''' is the second soundtrack used in {{ch|3|lf=1}}. It remixes much of what is initially heard in ''Checking In'', and builds upon it significantly. Starting with solely a faster-paced piano melody, it transforms into a synthesizer melody, accompanied by a drum beat, as soon as one [[Entities#Clutter Switch|Clutter Switch]] is pressed. Pushing a 2nd switch adds another synthesizer to the harmony; pushing a 3rd switch reintroduces the piano melody. The melody is then remixed into a much more intense version of itself, featuring all the instruments previously introduced, for the ''Presidential Suite'' sub-chapter, {{c|in which Oshiro chases and attacks [[Madeline]]}}.
=== Golden ===
{{Ocsp|1ef51237f0b5afbbc6aa535ca1d948468695edaf923c6ac219c38aed33233b55|Golden}}
'''Golden''' is the main soundtrack used in {{ch|4|lf=1}}. It starts off with an ambient tone in the background, paired with a six-note harmony on the piano, but builds up throughout the level, culminating during the final subchapter, ''Cliff Face''. Initially, this starts by imposing a piano melody over the harmony; eventually, a synthesizer harmony and a drum beat are added. A second synthesizer is later introduced, reiterating the piano melody heard earlier; however, this all but changes as soon as Madeline arrives at the final chapter (around 6:25 in the OST), where the music becomes much more intense, {{c|depicting the very strong winds there}}. A [[Celeste B-Sides|B-Side]] remix, {{soundtrack|num=04|track=Golden Ridge (Golden Feather Mix)}}, is officially present within the game.
=== Anxiety ===
{{Ocsp|d99673df1bd554c452ff33a45c981f2559fa6b0cfc869d2c9bc2046ea48cf1e7|Anxiety}}
'''Anxiety''' is the soundtrack that plays {{c|in the gondola cutscene}} at the end of {{ch|4|lf=1}}. It starts with a calm synth line of music, quoting ''Postcard from Celeste Mountain'', but quickly ramps up to feature an alarm-like, dissonant texture, depicting {{c|Madeline's panic attack when the gondola stalls}}. {{c|As she calms down}}, the music fades back out, only leaving the first (calm) synth audible.
=== Quiet and Falling ===
{{Ocsp|05b768b56f7a88816d51cf2f67eea477577f1295ff6ae69575c790af7f91ef42|Quiet and Falling}}
'''Quiet and Falling''' is the first soundtrack used in {{Ch|5|lf=1}}, prior to the ''Unraveling'' checkpoint. Its first half primarily consists of a piano and synthesizer harmony, with a piano melody added later; the second half calms down significantly, uses the synth as a melody, and becomes more "mysterious" in tone. The soundtrack does not vary much as different keys are found and doors are unlocked, primarily to depict Madeline's emotions more thoroughly. A [[Celeste B-Sides|B-Side]] remix, {{soundtrack|num=05|track=Mirror Temple (Mirror Magic Mix)}}, is based off ''Quiet and Falling''.
=== In the Mirror ===
{{Ocsp|ce3cb33bf9fb6f85d07edef2a4fc14616cd041f0cab1428c92da33b0b2917955|In the Mirror}}
'''In the Mirror''' plays following the ''Unraveling'' checkpoint in {{Ch|5|lf=1}}, until the end. It introduces a much more eerie, synth-powered melody, coinciding with {{c|Madeline's anxiety starting to peak, and her starting to face [[Seekers]] attacking her}}. Lena Raine stated that she tried to reserve heavy synths only for moments when {{c|Madeline's fears}} are truly apparent; {{c|this also happens in ''Anxiety'' and ''Starjump''}}.<ref name="int1">http://www.originalsoundversion.com/interview-composer-lena-raine-talks-celeste-soundtrack-working-in-game-audio/</ref> Shortly afterwards (after Madeline makes it to a {{c|large chamber with split paths}}), a reversed version of ''Quiet and Falling'' is introduced. The piano is brought back later, playing a slightly modified but retrograde version of the aforementioned track, as the synth melody from the first part of the track is reintroduced (as Madeline approaches the temple's exit); unreversed sections of the melody are mixed in, to suggest that the end is near.
When ''In the Mirror'' is reversed, Madeline, voiced by Lena Raine, can be heard talking about {{c|her anxieties}}; when played back normally, it merely sounds like glitch sounds in the audio.
{{Spoiler inline|
{{Q|Sometimes, I don't really know what's going on anymore. I… I don't know who I am… I just look in the mirror and don't know who I'm looking at… or who's looking at me. I think a lot about where my train of thought is going, it's not always a good place… and it scares me. I don't like scaring myself… I don't…|Lena Raine (as Madeline)}}
}}
=== Madeline and Theo ===
{{Ocsp|0850e107d084c8cf07d4b3ca506447dffda8fa4a16b237e49ccd1e873666e99c|Madeline and Theo}}
'''Madeline and Theo''' plays throughout [[Madeline]] and [[Theo]]'s conversation at the beginning of {{Ch|6|lf=1}}. The "Madeline" ''leitmotif'', on piano, is combined with a guitar representing Theo to form a duet of sorts, as they talk over the night sky. 55 seconds after the track starts, the synthesizer from ''Starjump'' starts playing.
In chapters {{Ch|1|lf=1}} and {{Ch|2|lf=1}} at the screen with Theo, as well as during the beginning of the end cutscene in {{Ch|4|lf=1}}, only the guitar is played.
=== Starjump ===
{{Ocsp|50fb33ff66623320f3b2c381bcefb284328f9d311a34f10ef8c102a394410f81|Starjump}}
'''Starjump''' plays during the ''Start'' checkpoint of {{Ch|6|lf=1}}, after the starting cutscene (but its motive appears in ''Madeline and Theo'' 55 seconds into the song). It borrows many cues from ''Anxiety'', but otherwise doesn't use any leitmotifs. {{c|It quickly intensifies as Madeline flies upwards and talks to Badeline.}} This track is played exclusively using a synthesizer.
=== Reflection ===
{{Ocsp|488f1e0feca652eb24e5ff35db87a8b41e7b94af3112fbdb7fd963de64f9a56f|Reflection}}
'''Reflection''' plays during the ''Lake'', ''Hollows'' and ''Reflection'' sub-chapters of {{Ch|6|lf=1}}. It starts with a soft, {{c|mildly depressing}} synthesizer melody, {{c|one that depicts Madeline's disappointment in herself as she realizes how far she has fallen}}. The melody eventually becomes more lush and filled {{c|as Madeline gets closer to Badeline}} throughout the chapter.
=== Confronting Myself ===
{{Ocsp|338a7aa31ad4f45e781d4822ed97b3ae480b070531e314c18cdd5aa6b9dd456b|Confronting Myself}}
'''Confronting Myself''' plays during the {{c|[[Badeline Boss|Badeline boss fight]]}} in {{Ch|6|lf=1}}. It brings back the "Madeline" ''leitmotif'', in a minor key, and features several synthesizers working in parallel, alongside a "Heyya" voice sample being slipped in throughout. Later in the song and game, the music begins to glitch out and starts repeating short parts of itself, most prominently the "Heyya" voice segments.
Confronting Myself plays at 132 bpm, making it one of the faster tracks in the game.
A [[Celeste B-Sides|B-Side]] remix, {{soundtrack|num=06|track=Reflection (Center of the Earth Mix)}}, is based off ''Confronting Myself''.
=== Little Goth ===
{{Ocsp|24b34bdcd5111302c3ba0139177040e6914883d4bb2bcf0398abf5cebfac500d|Little Goth}}
'''Little Goth''' plays during the "Resolution" sub-chapter of {{Ch|6|lf=1}}, {{c|following Badeline's boss fight and the "Level Up" cutscene}}. Once again, the "Madeline" ''leitmotif'' makes a reappearance. Unlike many songs in previous chapters, it is played exclusively on the piano.
=== Reach for the Summit ===
{{Ocsp|ae4abb0f8b3bd4f552a10fb7fb05c3a0dd02b494a8200b455421e8c850c82bf0|Reach for the Summit}}
'''Reach for the Summit''' is {{Ch|7|lf=1}}'s main theme. It integrates cues from each previous chapter's music, alongside the "Madeline" ''leitmotif'', into an eleven-minute synthesizer and piano duet. The music changes every time Madeline arrives at a new sub-chapter.
Owing to how this is the final chapter in the base game, it is very well recognized and has been remixed on several occasions. A [[Celeste B-Sides|B-Side]] remix, {{soundtrack|num=07|track=Summit (No More Running Mix)}}, is based off ''Reach for the Summit''.
=== Exhale ===
{{Ocsp|85972c31f46588b842aa0c17510d7554789242b53848a48d0f2f1bde9928961f|Exhale}}
'''Exhale''' plays during the {{Ch|Ep|lf=l}} following {{Ch|7|lf=1}}, and during the credits following the Summit. It is played primarily on the piano, with a synthesizer joining along at a few moments as a harmony.
=== Heart of the Mountain ===
{{Ocsp|285c10b94bd0b240dcef5509efe6c3d4bd3e0f43c3e580868b66bd7b91890b54|Heart of the Mountain}}
'''Heart of the Mountain''' is the music playing in {{Ch|8|lf=8}}. It can be divided into "Hot" and "Cold" variants, which switch back and forth in the game as [[Core#Core Switches|Core Switches]] are toggled. It starts with a soft piano melody, a leitmotif exclusive to this track, before introducing the synthesizer. During the final sub-chapter, aptly named "Heart of the Mountain", the music intensifies significantly as {{C|the lava/spiky ice starts chasing you upwards (or downwards).}} A [[Celeste B-Sides|B-Side]] remix, {{soundtrack|num=08|track=Core (Say Goodbye Mix)}}, is based off ''Heart of the Mountain''.
=== My Dearest Friends ===
{{Ocsp|febfef913f0b03369ad97fa7c12624c8e282059e441d946b0653fc96232d5bdd|My Dearest Friends}}
'''My Dearest Friends''' is the final track in the Celeste OST, and plays during the credits (when opened from the main menu). It is primarily on the piano but is also accompanied by a synthesizer. It is a very calm track. Lena Raine stated that this track didn't fit in well with the rest of the game, but was a fitting goodbye nonetheless.<ref name="int1">http://www.originalsoundversion.com/interview-composer-lena-raine-talks-celeste-soundtrack-working-in-game-audio/</ref>
== Trivia ==
* While the piano used in ''Celeste'' is played by Lena Raine herself, the piano is actually a MIDI keyboard wired up to the [https://www.spitfireaudio.com/originals/#felt-piano Spitfire Felt Piano library].<ref name="int2">https://medium.com/@kuraine/a-little-bit-about-celestes-synths-and-some-bonus-piano-461f62605ea1</ref>
* Most of the Celeste OST was composed using the Ableton Live digital audio workstation, except ''First Steps'', which is one of the earliest tracks composed for the game, was composed using Cakewalk SONAR.<ref name="int3">https://medium.com/@kuraine/what-software-do-you-use-ceacbf0f5665</ref>
* The "Hey ya" voice sample used in ''Confronting Myself'' is taken from a VST called Vocalisa, made by Impact Soundworks.<ref name="int3">https://medium.com/@kuraine/what-software-do-you-use-ceacbf0f5665</ref>
[[Category:Lena Raine]]
[[Category:Music]]
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